Wow, wow, wow, I’ve had a lot going on recently, last quarter I was fretting about not having enough reading to make a post, now I have… almost too much. That is because I’ve picked up a number of epistolary substack stories being done like Dracula Daily and I took an online course on Tolkien and the Ancient World! So, for this quarter I’m going to be breaking things up a little differently as well as sticking this under a read more.Continue reading “Behind the Scenes – Summer 2022”
“Solomon Gursky” is an unexpectedly weird book, but one I would highly recommend to anyone with a taste for unique Franklin expedition fiction. As a novel, “Solomon Gursky” is part Franklin mystery, part Jewish family drama, and part critique of capitalist dynasty families. A lot of effort has been put into portraying the expedition accurately — Richler cites “Frozen in Time” by Owen Beattie as a primary influence — and a good number of the deviations (of which are many) don’t feel accidental, they feel intentional as part of building this alternate history where two Jewish conmen manage to finagle positions on the Franklin expedition.
The book is framed by a man named Moses Berger and his efforts to write a biography of the deceased Solomon Gursky, it’s something of an obsession, actually. This framing allows for the mysteries and secrets hidden by the Gursky family to unravel over the course of the book as we bounce between the points of view of various Gursky family members (there’s a helpful family tree in the front of the book); Moses himself; epistolary elements such as diaries and telegrams; and a variety of other important players. The same stories get told in different ways depending on who is doing the telling, which is very fun, and it’s done in such away that it never feels repetitive. Every time I got a detail that clarified a previous mystery or teased an answer I was vibrating with excitement. If you enjoy piecing together mysteries as you read you will find “Solomon Gursky” very satisfying.
While the Gursky family is Jewish and Judaism is important to the story, on the surface several characters could be read as anti-semitic stereotypes. For example, Ephraim Gursky is a notorious conman, and brothers Bernard, Solomon and Morrie establish themselves as capitalist alcohol barons who get their start selling bootleg alcohol during prohibition. Few of the characters in this book can be considered “good,” but from a Jewish author it becomes “these are complicated, difficult and sometimes awful people who are Jewish” rather than offensive stereotypes. A gentile author could not pull this book off, at all.
Anti-semitism, racism, sexism and homophobia come up throughout the book, from various characters and in a range of opinions. However, not every instance of prejudice can be explained as only coming from the characters. Two of the biggest issues I had were the portrayal of the Inuit, which runs stereotypical more often than not, and the existence of Lieutenant Norton — replacing one of the Erebus lieutenants — a minor character who is portrayed as a crossdresser, which was almost interesting when it was first teased, with a penchant for violence. Some of his actions could have been chalked up to lead poisoning etc. but it didn’t really land in my opinion.
The one thing I will say about Richler creating Franklin expedition OCs is that it doesn’t drag the names of real historical people through the mud, which is more than can be said of “The Terror” author Dan Simmons. Frankly, I saw a surprising amount of similarities between certain aspects of “Solomon Gursky” and “The Terror,” which made me wonder if Dimmons hadn’t read “Solomon Gursky” at some point. Unfortunately, any influence, if it is there at all, is limited to the all of the worst bits with none of the redeeming qualities of Richler’s writing.
I went into “Solomon Gursky” utterly blind, I knew “Jew on the Franklin expedition” as a premise and that was it, and it certainly is that, but it’s so much more too. Everything matters. “Solomon Gursky” is a big book with lots of characters and plots that are masterfully woven together. There are surprises around every corner, including the borderline magical realism presence of ravens as motif and harbinger, and a group of Jewish Inuit.
Some final warnings: Sex scenes, which are occasionally detailed in a way that make you wonder if the author didn’t have a fetish; plenty of nudity, both male and female; and some mentions of rape and suicide, but nothing explicit.
As I stated before, “Solomon Gursky” reaches some very weird depths, and is not without its share of problems, but I enjoyed it immensely and now I need everyone else to go read it so that I have someone to talk to about this frankly beautiful piece of insanity. The book seems to be out of print, but can be found from most used booksellers.
I knew I had to read “Uncommon Charm” the moment I saw it. For one, it’s a set in the 1920s, a fantastic era; two, there is a Jewish character; three, it was a gothic comedy that promised ghosts; and four, the cover art is by one of my all time favorite artists. I didn’t initially expect the magic to be, like, real magic, I’d assumed that “magician” meant stage magician, but I was pleasantly surprised to be wrong.
I absolutely adore the way the book treats magic. It’s delightfully mundane, which is admittedly, a weird thing to say, but it feels accurate. The drama isn’t necessarily magical in nature; magic is baked into the world, it’s part of the norm and treated as such, which I love as world building. The drama primarily comes from interpersonal relationships, both past and present, and is only enhanced, not driven, by magic. Our narrator, young socialite Julia, is grappling not only with her relationship with her mother, but with her relationships with the Koldunov family, and newcomer to the household, Simon. Simon is himself grappling with feeling out of place as the illegitimate son of the Koldunov patriarch in addition to his newfound magical ability.
At 16 Julia’s curiosity and enthusiasm really is what drives the plot, as she is our main narrator. I love, so very much, the particular flavor of unreliable narrator that Julia is, in that she’s not so much completely unreliable, but rather, she is running through the world as a headstrong teenager who wants to believe that she’s on the right foot with everything. It’s a very classically teenager style of moving through the world, trying to find the answer to a mystery that isn’t quite the dramatic mystery that you thought. Her point of view is also perfect to keep the right balance between gothic and comic.
Something else I adored was the reorienting of the world that happens, both literally and metaphorically. On one side, we have the physical effects of Simon’s magic where he unintentional alters the world around him and Julia coming to terms with some heavy truths about the world and the people around her. On the other side, there is the wonderful development of Simon’s perspective on magical philosophy and how it blends with his Jewish beliefs. I will admit to feeling a touch nervous that his Jewishness would get lost behind Julia’s narration, but it very much didn’t, and I loved that by the end, Simon has invited both Julia and her mother to join him for Passover.
Last, but not least, “Uncommon Charm” is decidedly and unashamedly queer. Julia explicitly notes herself to be queer and it is strongly implied for Simon as well as for a handful of other characters. The queerness is exists with a confidence in the way the characters interact with the world in relationships of all sorts, though the focus is on the friendly and familial more than the romantic.
If a 1920s gothic comedy deeply influenced by Jewish and queer experience seems up your alley, then “Uncommon Charm” is the book for you.
“Whistle” is a fantastic introduction for a fantastic new superhero. It is at once a classic origin story and a breath of fresh air. Willow Zimmerman and her mother have struggled to makes ends meet as her mother’s (presumably adjunct) job as a professor doesn’t give them health insurance and she hasn’t been able to work as much because she is battling cancer. At the very beginning the mother mentions stopping treatments because of medical debt and I almost had a heart attack that she was going to hold the same narrative place as Uncle Ben. She doesn’t, but that is ultimately the catalyst for what eventually lands Willow in the annals of superherodom.
In my personal opinion, Willow was activist minded enough that I think she would have found her way into the superhero conversation eventually. I think there’s a lot to be said for those superheroes who really do stand for community, activism and change even before they get their powers, and that’s Willow in a nutshell. She’s fighting for her community from page one.
What takes her from activist to superhero, however, is one Edward Nigma, former friend of her mother’s, who offers Willow financial help when he hears that her mother is ill. Whether this was truly altruistic or if there was an ulterior motive there from the beginning isn’t entirely clear, but, regardless, Willow winds up working for Nigma as a runner for his less than legal poker games, which leads to a whole lot of guilt when she finds out who Nigma is and when Willow realizes that he and Poison Ivy are targeting her community with intent to buy up all the local property to gentrify the area.
However, it was none of this that first drew me to “Whistle.” I picked it up because Willow Zimmerman is the first explicitly Jewish superhero to be created by DC in 44 years and her Judaism is important in a way that clearly impacts her worldview, something we don’t always see even with the existing Jewish heroes—I’m thinking specifically of Kitty Pryde of the X-Men whose Jewishness only recently started to play a larger role in her character again.
The only thing that gave me a very brief moment of pause was when it was stated that Willow wasn’t particularly observant, which is a trope that is frequently used as a cop out to not have to deal with any actual aspect of Judaism, but that isn’t the case here, quite the opposite actually. Willow may not be as ritually observant as her mother, but she is still undeniably Jewish and her story deals in Jewish guilt, history and community. When she is conflicted about her work for Nigma, who gave her the money to save her mother, but is also the Riddler and involved directly with the destruction of her community, she seeks solace at her local synagogue, and it is the Jewish principle of tikkun olam, repairing the world, that influences why and how she operates as a superhero once she gains her powers.
This is a young adult graphic novel, but it’s very enjoyable for adult adults too and I would say probably also a decent read for kids as young as middle school. I would definitely recommend it if you need more Jewish heroes in your life. You can get it directly from DC here.